I Mix What I Like is a study of the hip-hop mixtape as a tool of emancipatory journalism.

Trap Door grapples with these contradictions. The essays, conversations, and dossiers gathered here delve into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality.

This book presents the narratives and voices of young, mostly male practitioners of hip hop culture in Delhi, India.

Illustrating new resistance strategies and mobilisations, this volume examines how EU citizens and refugee populations in Germany have opposed asylum policies and coped with hostile migration regimes.

Heather D. Switzer's interviews with over one hundred Kenyan Maasai schoolgirls challenge the widespread view of education as a silver bullet solution to global poverty.

Rev. ed. of: Media and culture. 2nd ed. c2000. Includes bibliographical references (p. 575-582) and index.

Virtually every country is represented in the text.

The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997).

This book is about how to trigger the capacity to aspire among black youth.

' - New York Times *Best-selling guide to Morocco. Source: Nielsen BookScan. Australia, UK and USA Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.