"Aren't you a terrorist?" "There are no roles for people who look like you." "That's a sin." "No girls allowed." They've heard it all. Actress Alia Shawkat reflects on all the parts she was told she was too "ethnic" to play.
New York Times Theater Reviews. graphs that her appearance in death- camp garb is ... Irish Repertory Theater , Ms. Moore , artistic director ; Ciaran O'Reilly ... FINNEGAN'S FAREWELL By Kevin Alexander ; directed by Chuck San- toro ...
In Vanishing New York, he reports on the city’s development in the twenty-first century, a period of "hyper-gentrification" that has resulted in the shocking transformation of beloved neighborhoods and the loss of treasured unofficial ...
Fin Finnegan, a San Diego police detective and wannabe actor heading straight for a midlife meltdown, is assigned a routine truck theft that turns into a toxic chemical spill, setting off a bizarre chain reaction of death and murder on both ...
... reviews that Pursuit received in Ireland ; Landreth carefully cut them out and pasted them into scrapbooks . The Irish ... reviews were critical of Landreth's central ... Finnegan's review duly appeared it was hard - hitting , for it focused on ...
In Want, Lynn Steger Strong explores the subtle violences enacted on a certain type of woman when she dares to want things—and all the various violences in which she implicates herself as she tries to survive.
While filming a documentary about Quentins, a famed Dublin restaurant, Ella Brady explores the changing face of the city from the 1970s to the present day as she captures the stories of the people who have made Quentins a center of their ...
... Finnegans Wake” is the supplementation of quotations to explain the obscurity ... Reviews. DUAL ASKING AND TELLING NARRATORS After motifs, the first line of ... pub, after overseeing the departure homeward of the customers and the Four ...